Tuesday, June 14, 2011
9/11 Symbolism in Hollywood
In 20th Century Fox’s 1988 film Die Hard the first lines are spoken on a plane about how to get over the fear of flying. One guy says what he has done for 9 years and Bruce Willis says what he has been doing for 11 years. So here we have 911, on a plane, talking about fears of flying, from a Masonic production company (notice the one-eye symbolism). In the first Die Hard, John McClane (Bruce Willis) takes on 12 terrorists in a tower; in the second movie it’s terrorists at an airport. Isn’t it interesting how in the 1988 movie we have John McClane afraid of flying, terrorists, towers, 9/11, and in 2008 we had John McCain on a presidential fear campaign revolving around terrorists, towers, and 9/11?
In 1998 we also have Bruce Willis saving the world in Masonic Disney/Touchstone’s Armageddon. Toward the end of the movie there is a countdown which passes 9:11 minutes just as the camera pans past.
In another 1998 Disney/Touchstone film, Enemy of the State, a politician played by Jon Voight has his birthday on September 11th.
In
Warner Bros. 1990 film Gremlins 2 there are two reporters from channels
9 and 11 holding microphones with those numbers juxtaposed.
In the 1990 Universal film Problem Child the Healy’s live at house number 911. The
actor in this movie, John Ritter, in real life had a baby girl, Stella
Ritter born on 9/11/98, then 5 years later suddenly and suspiciously
John died on 9/11/03. At first glance these synchronicities may seem like mere coincidence until you realize their Masonic significance, and Hollywood’s Masonic dominance.
In the 1993 Super Mario Brothers movie the Two Towers are depicted eerily half destroyed and smoking just as they would be on 9/11/01. In the movie, the Twin Towers each have on them a large symbol of a hand holding two lightning bolts. This is the very aspect of Tarot imagery from “The Tower” card substituted by “hijacked” planes on 9/11.
In 33rd
Degree Mason James Cameron and Columbia Tri-Star’s 1991 Terminator II,
Judgment Day, there is an overpass that warns “Caution 9-11.”
In the 1996 film Independence Day, there is also a countdown which just happens to pass 09:11:01 (9/11/01) as the camera pans across. At the start of another Columbia Tri-Star Picture, 2000’s The 6th Day, Arnold Schwarzenegger looks at his schedule which has only two times: 9:00 and 11:00.
The same year in Columbia’s The Patriot, Mel Gibson’s first words, weighing a chair, in the film, are: "9 pounds, 11 ounces, perfect." Here
we have 911, the “patriotic” concept of the post-911 “Patriot Act,” a
Masonic production company, a Masonic measuring device and symbol of the
mystery schools, ounces or OZ (77) revenge of Lamech, and the closing
word, “perfect.”
In 1997 DreamWorks’ first film, The Peacemaker, George Clooney is shot perfectly between aisle 9 and 11.
In a 1997 episode of the Simpsons, Lisa holds up a magazine that reads “New York $9” with a picture of the Twin Towers after the 9 which looks like 911.
In 1998’s Godzilla the camera cuts to a wrist-watch showing 8:55 with the little hand on the 9 and the big hand on the 11.
In 1999’s The Thirteenth Floor a wall clock shows 11:45 with the big hand on the 9 and the little hand on the 11. In
Universal/Columbia’s 1999 The Bone Collector, Denzel Washington finds a
piece of paper from page 119, and the date is 11/9, November 9th.
In Warner Bros. 1999 film The Matrix, Neo's passport expires on exactly Sept. 11, 2001!
In
2000’s Traffic, a large delivery truck is shown full of boxes, and on
every single box are a Scorpio/scorpion symbol and the number 911.
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