Friday, July 4, 2014

The Age of Mafia Government

how bout's we look the fuck in the mirror ...who's KEEEPS yr after yr after fucking YRS      "voting" this shit IN !!!  huh         klaus3-519x640-1


The Age of Mafia Government

The Obama administration’s scandals aren’t aberrations. They’re mafia-style governance.

Joy Pullmann
By

Chicago is a home base of the American mafia, and it seems to have sent a satellite office to run the country from Washington, DC. In major respects, our government has morphed from a guard of our natural liberties into a hierarchical system of cronies that dispenses limited freedoms only in exchange for following its tight-fisted rules.
Larry Arnn, president of Hillsdale College, has called where we’re headed feudalism. That’s a system of patronage in which the amount of leverage you have depends on your wealth and Rolodex. Another way to look at our country’s situation is by comparing how the Obama administration and its progressive allies operate to the global and American mafia.
The similarities are striking. Let’s consider a few.

Racketeering And Extortion

At the heart of every mafia enterprise is a racketeering operation, in which businesses and private citizens are forced to pay the mafia to protect themselves from harm. Potential harm includes both what The Mob inflicts and that from outside sources, such as gangs or swindlers. Often, a protection racket arises in areas where the rule of law is weak, because in those areas the police and judiciary cannot or will not provide the protection from criminals everyone needs.
The analogies to government should be obvious, but one includes the pervasive feelings among business executives that, if they don’t donate to political campaigns or “nonprofit organizations” run by ex-government officials or other political cronies, their industry or even specific business is likely to wind up on the wrong side of some business-crushing regulation pretty quickly.
The Hobby Lobby case the Supreme Court is about to decide any day now is yet another example of the Obama administration’s demand that people follow its rules or pay crushing extortion fees (preferably both). Both the fines for not complying with Obamacare and the expense of doing so are simply protection money, paid to the administration directly with fines or indirectly through expensive healthcare purchased from Obama campaign donors. The administration doesn’t care about sick people or poor people, just like the mafia doesn’t care about actually protecting people. What both care most about is power.

People Wind Up Mysteriously Dead

The ultimate way to earn power over other people is to threaten not just their livelihood, but also their lives, and the lives of those they love. On that note, perhaps it’s appropriate to mention that the Internal Revenue Service and U.S. Department of Education each have their own SWAT teams. Nary an innocent taxpayer sponsoring this arms race has any idea why their money is buying the nation’s school nanny a strike force, but apparently the Obama administration internally justifies such things. And let’s not forget Bambi Team Six, the crack shots within the Department of Natural Resources who sent a military-style team to execute a fawn some well-meaning American peasants had rescued from a more natural death. When black-helmeted men circle your home, break down your door, throw your children from their sleeping beds onto the dew-ridden lawn, and shoot you 22 times because some meathead mistook your house for a drug dealer’s, it’s clear government has gone from protecting you from threats to becoming a threat itself.
More directly, however, thanks to “The Godfather” and “The Sopranos,” everyone knows that the mafia’s presence means frequent, mysterious deaths. That’s also a hallmark of this administration. Fast and Furious and the Benghazi massacre are the two most obvious examples. It’s been years, in both cases, and it’s still an utter mystery as to why Americans died in foreign lands, where all those guns went, who used what money, where it all came from, and why. That may have something to do with the Justice Department’s utter lack of curiosity about massive crimes being committed on its watch, but remember: where there are mafia, there are corrupt police, district attorneys, and courts.
The mystery isn’t who did it, but proving it. Part of the reason it’s impossible to find evidence to prove what everyone knows is that no one will talk.

No One Talks

The mafia protects itself with codes of silence, both as an expression of machismo-style loyalty and because people who talk end up under a bus. The Obama administration—or its enablers—has apparently gone high-tech with this idea: Who scrubbed Lois Lerner’s email server? It’s utterly ridiculous that in an era where everyone’s naked pictures and address can be found online, two years of what surely are thousands of government employee emails can “go missing.” Let’s not forget, either, Lerner’s fifth-pleading stonewall of Congress, or that every congressional hearing or investigation into any unseemly events is met at every turn with refusals to provide documents, witnesses, or answers.
And where are the classic second-term interviews with “a former high-ranking official within the Obama administration” breaking silence to air dirty laundry, make a few revelations, and settle a few scores? Is everyone afraid of what will happen if he or she exhibits an independent mind (albeit after the fact)?

The Boss ‘Has No Idea’ What’s Going On

Mafia leadership never directly calls the hits. They imply to underlings what they want done, so if the underlings are caught they can’t incriminate the bosses in court. This leadership style is not just the mafia’s. “A Few Good Men” dramatized how it might play out within a Marine unit. The direct analogy, of course, is that President Obama never seems to know what’s happening within his own organization. He had no idea the IRS was targeting conservative groups. He heard on the news about the Veterans Affairs debacle, where vets literally died because the agency managing their healthcare was so corrupt and incompetent, even though in the Senate he had served on the Veterans Affairs Committee and had heard of the problems in 2007. Rush Limbaugh has played a montage of all Obama’s “I’m just hearing about this and I’m so furious” moments: About the Secret Service scandal, the Gulf Oil spill, when people found out Van Jones was a Communist sympathizer…the list never ends.
Either Obama is the world’s best delegator-in-chief, or he knows a lot more than he’s telling us. Nobody will ever be able to prove that, of course.
The mafia answers a need for societal order by imposing criminal order upon the citizenry. In the Obama administration’s case, it first created a need for it to impose order by destroying the rule of law. Sometimes The Mob does that, too. It fails when a few good men resist. The problem with being run by a criminal enterprise, of course, is that it inverts justice and destroys freedom. A murderer is not called to account for his acts unless it displeases the mob boss, regardless of how the family of the murdered feels. Everyone, from business owners to mob associates to children, lives in fear. And, as with every manifestation of injustice, mafia government means that the little people—like you, me, and our neighbors and kids—get hurt the most.
Photo By: Eneas De Troya

Robin Thicke’s Video “Get Her Back” or How Pop Culture Keeps Promoting a Culture of Death

Jun 26th, 2014 | http://vigilantcitizen.com/musicbusiness/robin-thickes-video-get-back/



Get Her Back appears to be about Robin Thicke trying to win his wife back by being nice and apologetic. However, when one adds the imagery of the video into the mix, it becomes a creepy, disturbing tale of a stalker with violent and suicidal tendencies pathetically harassing an ex-lover … all laced with one-eyed Illuminati symbolism, of course.
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Robin Thicke appears to have left the niche market of “blue-eyed soul” to become a mainstream music figure. Of course, that’s because he’s been given a role to play in the entertainment industry Agenda. In my article MTV VMAs 2013: It Was About Miley Cyrus Taking the Fall, I explained how Robin Thicke’s Blurred Lines was about “blurring the lines” between consensual and non-consensual relations. In other words, Blurred Lines was a creepy song about abuse and even Kitten programming. In his infamous performance with Miley Cyrus, Thicke played the role of a handler with a dissociated Beta slave.
During the 2013 VMA's, Thicke was wearing a black and white dualistic pattern - used to hypnotize and control MK slaves. The overtly-sexual performance of this 36 year-old man with a 20 year-old girl (dressed to look about 14) was ... uncomfortable. More importantly, it was part of the constant Agenda of debasing young minds.
During the 2013 VMA’s, Thicke was wearing a black-and-white dualistic pattern, which is used to hypnotize and control MK slaves. The overtly-sexual performance featured Thicke, a 36 year-old man with Cyrus, a 20 year-old girl (dressed to look about 14). More importantly, it reflected the constant Agenda of debasing the masses with promotion of abuse, underage relations, and so forth.
At the time of this VMA performance, Thicke was married. The couple divorced a few months afterwards, amid allegations of Thicke’s infidelity. Did the separation had something to do with the fact that Thicke was chosen to become the face of the “abuse and exploitation is cool” Agenda? Perhaps. One thing is for sure : Things have gotten worse since then.
After his separation, Thicke apparently “wrote an entire album” about his ex-wife Paula Patton. While the album (titled “Paula”) probably caused some of his fans to think “Wow, he is so passionate, sensitive and vulnerable”, it only takes a little discernment to realize that this is all strange, inappropriate, and even a form of harassment. … especially considering that it is all a produced, constructed, overtly emotional gimmick.
The video for Get Her Back tells us all we need to know about this particular gimmick: Thicke is simply part of the elite Agenda of promoting a culture of death – associating art, music, love and relationships with sick, twisted and debased messages and imagery. It is all about self-destruction. Miley Cyrus and Robin Thicke are two clear examples.

Get Her Back

The song begins with lyrics that describe a nasty couple fight, which can sometimes happen. The phrasing, however, is slightly disturbing, as they imply a relationship based on control, manipulation and coercion.
I never should have raised my voice or made you feel so small
I never should have asked you to do anything at all
I should have kissed you longer
I should have held you stronger
And I’ll wait for forever for you to love me again
When we add the imagery of the video, things get creepy. Some parts can even be interpreted as death threats.
The concept of the video is simple : It basically juxtaposes various images with what seems to be actual text messages between Thicke and Patton. Is displaying messages sent by his ex-wife on a music video for all to see a breach of privacy and a form of harassment? Yes, it is. But the occult elite does not believe in privacy and wants you to think that all communications are of public domain.
The images behind the text messages tell the true message of the song – and of Thicke’s purpose in the industry.
The video begins with a strange, alien-like silhouette walking towards the camera. A text message from his wife already allude to him being crazy.
The video begins with a strange, alien-like silhouette walking towards the camera.

We then see Thicke naked and bloody. Why is he naked and bloody? Did he get into a violent fight with his wife while naked? Did he do too much drugs and took off his clothes? Nobody really wants to know.
We then see Thicke naked and bloody. Why is he naked and bloody? Did he get into a violent fight with his wife while naked? Did he do too many drugs and take his clothes off? This is probably the kind of thing we don’t even want to know.
The rest of the video is pretty much sweet words juxtaposed with images of horrifying evil and violence. It pretty much sums up what the Illuminati industry is about: Deceit, double-speech, and semi-subliminal messages.
The words "I'm sorry" with a shady figure looking to claw you to death.
The words “I’m sorry” with a shady figure looking to claw you to death.

Here, Thicke points at his head as if saying "If you don't take me back, I'm gonna shoot myself". That's a typical technique used to harass and manipulate.
Here, Thicke points at his head as if saying “If you don’t take me back, I’m gonna shoot myself”. That’s a typical technique used by manipulative minds to harass and coerce.
The video is also laced with flashing images that let you know that this is not about Robin Thicke’s “feelings” – It is about the industry pushing its Agenda.
Woman with a creepy "Eyes Wide Shut"-type mask.
A woman with a creepy “Eyes Wide Shut”-type mask – an allusion to elite secret societies and rituals.

This scary devil face flashes for a spit second. Why is it there? While the conscious mind does not perceive that face, the unconscious mind registers it, causing the viewers to get a growing unconscious unsettling feeling while watching the video.
This scary devil face flashes for a spit second. Why is it there? Probably because this entire project is evil-minded. While the conscious mind does not immediately perceive the face, the unconscious mind registers it, causing the viewers to get a growing unconscious, unsettling feeling while watching the video.

A skull head with one eye hidden. A clear way of saying : "This promotion of death culture was brought to you by the Illuminati entertainment business". The words "I miss you" can also mean that the business misses your soul.
A skull head with one eye hidden. A clear way of saying : “This promotion of the death culture was brought to you by the Illuminati entertainment business”. The text message “I miss you” can also mean that “they” want your soul.

Bones equal death.
Bones equal death.

A woman drowning while apparently fighting for her life. Do we need death threats to be entertained?
A woman drowning while apparently fighting for her life.

For a brief moment, the image of a skull is displayed on the face of the drowning woman ... as if saying "I'm gonna kill you".
For a brief moment, the image of a skull is displayed on the face of the drowning woman … as if saying “I’m gonna kill you”.

A creepy face with one eye. Illuminati agenda.
A creepy face with one eye. Another image telling you that this is about the Illuminati Agenda.

A bloody heart. A gory, disturbing way of saying that life will be removed from you. Remember that this song is about "getting her back".
A bloody heart. A gory, disturbing way of portraying life being removed from a person. Remember that this a song is about “getting her back”.
The video ends with the same alien-like silhouette as in the beginning … with a text message that is more of a threat than anything else.
Apparently, all of those horrifying images and messages are "just the beginning" of the harassment.
Apparently, all of those horrifying images and messages are “just the beginning”. Go away, Robin!

In Conclusion

Considering the messages in Blurred Lines and Get Her Back, Robin Thicke appears to have become the archetype of “creepy guy who doesn’t take no for an answer”. Should we be concerned for his mental health? Maybe. But we should be more concerned for the mental health of popular culture as a whole. Robin Thicke is simply another pawn playing a role in the gigantic drama stage that is “entertainment”. There appears to be a sick, disturbing trend of making abuse, death, violence, mind control, and manipulation part of the art we consume. These things are a normal part of the Illuminati entertainment world and “they” are looking to make them a normal part of “our” world. Artists like Robin Thicke, Lady Gaga, and Terry Richardson are used to combine the pleasantness of art with the horrors of rape and murder, making them part of the same “package”, causing our brains to create unnatural associations.
Under the guise of “art”, everything that is pure and simple is being evacuated and replaced with everything that is wrong, debased, unnatural and, simply put, evil. It is not art. It is spiritual propaganda. It is not about Robin Thicke being heart-broken … it is about associating love – the driving force behind life – with death.