The 2014 American Music Awards Were Littered With Illuminati Symbolism
Nov 26th, 2014
|http://vigilantcitizen.com/musicbusiness/2014-american-music-awards-littered-illuminati-symbolism/ The
2014 American Music Awards featured stars such as Taylor Swift, Iggy
Azalea and Jennifer Lopez. While these artists are supposed to appeal to
different musical genres, they were all singing the same song : “We are
pawns of the elite”. Case in point : Their performances were littered
with Illuminati symbolism.

Watching
award shows is a dizzying, mind-numbing experience for most people but
they become a truly revolting experience for those who understand their
underlying symbolism. In my article about the
2014 VMAs, I explained how it was about “
oversexualization pushed by music industry puppets“.
Although produced by another television network, the 2014 American
Music Awards were a perfect continuation of this trend. The same few
artists got the exposure they crave by taking the stage and performing
(those who are being pushed under the spotlight), we saw the same
“celebs” in the crowd overreacting to mediocre songs (seeing Taylor
Swift or the Jenner sisters dancing to a new single is a great way to
get people to download it from iTunes) and the same message is
ultimately pushed : To make it in the industry, you have to push the
elite’s message.
Let’s look at the debasing and dehumanizing messages that were served to the public during the 2014 AMAs.
Taylor Swift Kills a Bunch of Men
The
AMAs began with the idol of suburban America : Taylor Swift. Young
girls love her because she is so “cool and down to earth”. Is
ritualistically killing a bunch of men in horrific ways “cool and down
to earth”? Well that is what her performance was about … And I am not
sure that many “swifties” (yes, that’s how Taylor Swift fans call
themselves) understood that message. Swift is not the humble, guitar
strumming singer anymore – she’s all about Illuminati pop now.
While performing her single
Blank Space, Swift plays the role of a man-eating rich woman.
The
performance begins with Swift sitting in a classy dining room with some
poor sap. Notice the dualistic pattern in the background which refer to
the ritualistic connotation of the act.
The room then stretches down and reveals the horrible fate of the men in the painting. They’re her past victims.
Swift
then gives a red (the color is important) apple to the poor sap who
immediately eats it like an idiot and dies. Murder is cool when Taylor
Swift does it.
The entire set is made of a dualistic black
and white pattern juxtaposed with objects that are red the color of
blood sacrifice. Taking place in a posh mansion, the performance refers
to the blood sacrifices the occult elite loves to indulge in.
Swift
holds a red rose on that’s on fire. She holds a flame in her other
hand, hinting to the deadly witchcraft involved in her killings.
The
backup dancers are actually dead men who got killed by Swift. A closer
look at their attire during the performance reveals that one of them got
ran over by a car, another one got shot several times in the chest and
another one was strangled. Uplifting. Notice the red drapes in the back.
This performance is yet another example of the elite wanting to make death and murder cool and sexy.
Someone is knocking at Taylor’s red door (which was scratched by someone who attempted to escape). Who could that be?
… another poor sap. *** Applause and standing ovation for Taylor Swift *** !
The
good and wholesome Taylor Swift played the role of a rich elite Madam
who sacrifices men inside a big mansion. Swifities enjoyed all of that!
Charli XCX
Charli
XCX is clearly a new favorite of the music industry. Her performance at
the AMAs was a perfect occasion to “introduce” her to the American
public. The result? Another ritualistic performance color coded to
symbolize an initiation into the music industry.
Charli began the performance dressed in a virginal gown in a setting akin of a school prom. Such innocence.
At
the next song, she takes off the gown to reveal a black latex suit. Her
name appears in white gooey letters in the background … which is … not
sexual at all.
The performance follows the classic narrative
of “good girl gone bad” – where the artist begins wearing white,
looking somewhat pure to then morph into a black-clad sex bomb. Britney
Spears, Rihanna, Beyoncé, Lady Gaga, Taylor Swift and many other female
pop stars went through this narrative at one point or another in their
career.
Charli ended her performance with her crotch in the face of a rabbit-faced guy. Welcome the music biz Charli!
Iggy Azalea – P*ssy Power
As
if to emphasize the fact that only a select few get the spotlight,
Charli XCX went back on stage with Iggy Azalea … who was later featured
with Jennifer Lopez.
Iggy’s began her performance hosting a mock press conference surrounded by a very symbolic logo.
This
could be the official logo of Sex Kitten Programming. The face of a cat
that has a thunderbolt (representing electroshock torture) splitting
its head in half (representing the fracturing of the psyche of MK
slaves).
Underneath the electroshocked kitten head is the
word “power”, which is almost ironic as none of these slaves have any
power over their lives.
The second song performed by Iggy was
Beg for It
and its lyrics are in perfect line with her Beta Kitten persona. The
first words of the song pretty much refer to her being a prostitute.
Pulled up looking picture perfect, baby
High price, but I’m worth it, baby
The
first words of the second verse explain that the cat logo means “P*ssy
Power”. While one might interpret that as a mentally challenged brand of
feminism, it is actually about being a Beta Kitten.
Pussy power, pay me by the hour
The cover of the single Beg For It features Azalea and a feline behind her – which represents her Beta Kitten alter persona.
Yes, I was
begging for it … Begging for that song to stop.
All Eyes of Fergie
Then Fergie came on stage to perform her single
L.A. Love
which is about loving Los Angeles. No need to incorporate a bunch of
Illuminati symbols in that, right? Wrong. Her music video and her AMA
performance were drenched in Illuminati imagery.
Fergie’s
performance began with bunch creepy All-Seeing Eyes blinking in the
dark, as if the occult elite is saying : “We’re watching you”.
Fergie’s
music video and her AMA performance both revolved around a single
object : A weird bus with colorful “entrance”. Why so much emphasis on
this entrance? Because it is a replica of the entrance of a Masonic
temple.
Fergie indeed performs in front an entrance made of
two pillars – on which are drawn All-Seeing Eyes – topped by a triangle.
This is a classic design used in Masonic imagery and architecture.
Here
are two Masonic paintings that feature Masonic entrances made of
columns holding a triangle. Both of these images are topped with an
All-Seeing Eye.
The entrances of two actual Masonic lodges.
At
the very end of her performance, Fergie removed some of her clothes
(she really didn’t need to) and stood between the two pillars. Was she
getting ready for her initiation?
J-Lo Trying to Stay Relevant
Jennifer
Lopez is looking to be a music industry star again. What does she need
to do? Step 1 : Make a song called “Booty” and feature Iggy Azalea. Step
2 : Push Kitten Programming.
J-Lo on all fours while feline prints are projected on her. Yup, that’s another nod to Kitten Programming.
But wait, isn’t that scene a little familiar?
This is a screenshot of Beyonce’s video Partition. She’s doing stripper stuff while animal prints are projected on her.
Did
J-Lo’s team lack imagination? No. Because J-Lo’s team is actually
Beyonce’s team who is Iggy Azaleas’s team. They are all pawns of the
same group who uses them to push their specific codes.
To
drive home the Beta Kitten message of the performance, Iggy Azalea and
Jennifer Lopez perform around a stripper pole while dualistic patterns
are projected on them. Fine role models for young women across the
world.
In Conclusion
Whether it be the MTV Video
Music Awards, the Grammys or American Music Awards, I’ve been analyzing
award shows for years (while attempting to conceal my aversion for
them) because they are a mirror of the music industry. These shows are
indeed a clear reflection of the elite’s rituals, symbols and agenda. If
one would read all of my articles on award shows, a clear and obvious
pattern emerges – one that cannot be ignored or written out as being
“coincidence”.
Award shows do not exist to reward the most
deserving artist, they are a carefully planned media event that
celebrates those behind the music industry … And these people are simply
sick. The 2014 AMAs were an unholy mix of oversexualization and
dehumanization, peppered with veiled rituals and occult symbolism. And
all of this garbage was intercut with quick shots of the Kardashians
dancing with a blank stare on their faces. In short, if you did not
watch these awards, you did the right thing.