http://vigilantcitizen.com/musicbusiness/natalia-kills-zombie-and-wonderland-dedicated-to-illuminati-mind-control/
Natalia Kills is an English singer-song writer who signed with will.i.am and Interscope Records. Not unlike other female pop stars, Natalia began working in the entertainment industry at a young age (7). In 2005, Natalia Kills was a rapper known as Verbalicious and released a single entitled Don’t Play Nice, a playful party-rap song with Natalia sporting a radically different style and image.
In the context of the video, it becomes clear that the lyrics are
actually about the sick, twisted, forcibly generated infatuation felt by
a slave towards her handler. The beginning of the song describe the
relationship:
In another scene, Natalia is shown being blinded by the hands of
several unseen people. This symbolic image is also used in other
mind-controlled themed videos to represent the handlers blinding and
controlling the slave.
As the public becomes increasingly desensitized to the Agenda, videos keep marching towards more graphic and uncensored portrayals of mind control, which is arguably the most sadistic and evil practice in the world. Natalia’s videos can be read as a diary of a Monarch victim, where she describes a world dominated by oppression, torture, violence, sexual abuse and drugs. The horrific world of Monarch slaves is exposed as Natalia is abused and degraded by unseen forces, but the whole thing is presented as cool and fashionable.
Natalia does not currently enjoy the level of exposure of Rihanna or Lady Gaga. She however has everything it takes to become an industry favorite – a perfect candidate to lead a nation of Zombies to Wonderland.
Natalia Kills’ “Zombie” and “Wonderland”: Dedicated to Illuminati Mind Control
By VC | May 16th, 2011 | Category: Music Business | 261 comments
In the last few years, the pop music scene has incorporated gradually increasing
doses of Illuminati mind control symbolism in its music videos.
Newcomer pop singer Natalia Kills is definitely another step in this
direction. While other pop stars blend subversive symbolism with other
themes and subjects matters, Natalia’s videos appear to solely focus on
mind control imagery. We’ll look at Natalia Kills’ career videos
“Zombie” and “Wonderland”.
Natalia Kills is an English singer-song writer who signed with will.i.am and Interscope Records. Not unlike other female pop stars, Natalia began working in the entertainment industry at a young age (7). In 2005, Natalia Kills was a rapper known as Verbalicious and released a single entitled Don’t Play Nice, a playful party-rap song with Natalia sporting a radically different style and image.
After being taken under the wing of
Cherrytree Records, an Interscope imprint, her name changed to Natalia
Kills, her musical style switched to electro-pop and her overall image
became a lot darker, fashion-conscious and twisted. In other words, she
morphed into an Illuminati pop star.
Although not at the same level of
worldwide popularity, Natalia Kills is often compared to Lady Gaga.
Though her fans probably don’t appreciate the comparison, there are
indeed several similarities between the singers: They both began
singing at a young age; they both signed with Interscope’s Cherry Tree
Records; they both underwent an extreme metamorphosis after being
signed becoming edgy and hyper-sexualized; both changed their artist
names after signing with Cherry Tree; both worked with the same
producers (count the shout outs to Cherry Cherry Boom Boom in their
songs); and most significantly, both incorporate heavy occult and mind
control imagery in their videos.
There is a slight difference in Natalia
Kills’ world, however: believe it or not, the mind control imagery and
symbolism is even more blatant. Her songs and videos can actually be read as a diary of a Monarch programming victim (for a detailed explanation of this term, please read the article Origins and Techniques of Monarch Mind Control).
Natalia’s world is dominated by the
concepts of torture, oppression, sadistic handlers, violence, sexual
abuse and drugs. In all three of her videos, Natalia is degraded and
abused, always combining sex and violence (our two most primal
instincts).
Natalia’s first single, Mirrors,
flaunts all of the seemingly obligatory references to mind control
through symbolism (fractured mirrors, caged heart, etc.) and BDSM
(Bondage/Domination/Sadism/Masochism). However, it is her two subsequent
singles, Zombie and Wonderland, that clearly
associate Natalia with Monarch mind control (to those who understand
Monarch symbolism, the names of the songs alone say it all). Let’s look
at the symbolism of these two videos.
Zombie
Without the video, Zombie
appears to be a song about being in love with a cold-hearted guy who
does not return phone calls. Aw. The setting of the video, however,
definitely does not match this interpretation: Natalia is strapped to a
table in what looks like a cold laboratory (mind-control facility?), and
is controlled by an unseen person who is sadistically torturing her …
and with whom Natalia is in love.
I’m in love with a zombie
Can’t keep his hands off me
I think he’s looking at me
But he’s looking right through me
You think you’re so cool boy
Blood rushing through my veins now
Do you want me for my body
Do you want me for my brain, brain, brain, brain
Can’t keep his hands off me is
one of the references to the abusive nature of the sexual “relationship”
between Natalia and her handler. The last two lines of this verse are
actually the most chilling: Do you want me for my body/ Do you want me for my brain, brain, brain, brain. The
handler, aka the zombie, actually wants her brain, meaning the ultimate
goal is mind control. He is abusing her to cause trauma and
dissociation, which psychologically creates alter personas, the ultimate
goal of Monarch programming. The video makes it clear: We are
definitely not talking about a pretty-boy player who does not return
calls, but a sadistic, Josef Mengele-type figure. So the Zombie
is a mind control handler and the song’s chorus is “I’m in love with a
Zombie” … disturbingly wrong yet most listeners will never get the
song’s true meaning (zombies are so cool, right?).
After witnessing this cold, robotic
single, I had the feeling that Natalia’s subsequent videos would be
nothing less than symbolism-fests, since new singers always push the
blatantness a step further … guess I was right.
Wonderland
To those who know are familiar with mind control symbolism, the name of this single, Wonderland, is a dead giveaway that there will be more here than just music. Alice in Wonderland
is the primary movie associated with Monarch programming, as it is an
actual programming tool. Using associations in the movie, slaves are
indeed encouraged to “Walk through the looking glass” – meaning they
dissociate from reality. In the fairy tale, Alice enters a fantasy world
where everything is magical, inverted and unstable, a world similar to
the slave’s internal world, where everything can be modified by the
handler.
Knowing this, the otherwise seemingly random and incomprehensible story of the video Wonderland starts
making sense. If you have read other articles on this site, you can
probably recognize and identify the meaning of these symbols, since they
are found in countless other music videos. The constant use of the same
set of symbols across popular culture is not a coincidence: A story is
being told in veiled terms for those who have “eyes to see”.
The song itself speaks of
disillusionment towards the magical world of fairy tales. This feeling
is particularly true for mind-control victims, who are programmed using
fairy tales by their handlers. The enchanting world of these stories is
of course in sharp contrast to the horrid day-to-day reality of these
victims, but they are programmed to recognize parallels between the
stories and their disassociated inner-psyche. This is reflected in the
first verse of Wonderland:
I’m not Snow White, but I’m lost inside this forest
I’m not Red Riding Hood, but I think the wolves have got me
Don’t want those stilettos, I’m not, not Cinderella
I don’t need a knight, so baby, take off all your armor
This verse describes the mental confusion (lost inside this forest), the control by handlers (I think the wolves have got me) and even the sexual abuse (Don’t want those stilettos)
inflicted on MK victims by the very same people who tell them the fairy
tales. Despite these references, one could argue that the song itself
can be interpreted as wanting “true love” and not “make believe”. Well,
as always we can turn to the video for clarification… and in this video
is is pretty clear, there is no love involved.
Filled with semi-subliminal flashes of
powerful words and gruesome images, the video makes no allusions to a
love interest, but plenty of references to mind control. Some of the
phrases flashed on screen are actual mantras hammered into the heads of
mind-control victims to confuse and traumatize them.
The video begins with a kind of
ritualistic procession, where Natalia – dressed in red, the occult
color of sacrifice – is forcibly lead somewhere by men in riot gear.
The scene is peppered with short flashes showing the police beating
people during a riot – placing the video in the context of an oppressive
police state.
Natalia is followed by women dressed in
black and holding a red flag, alluding to the ritualistic nature of this
procession. She is taken to a secured building where she is forced to
attend a highly symbolic dinner.
The dinner table itself is replete with symbols alluding to mind control. Some examples:
The dinner is held under the supervision
of police in riot gear. As seen in previous articles, there is a
conscious effort to “normalize” the presence of these symbols of a
police state in popular culture, hence their presence in numerous music
videos and musical performances (see the article The Transhumanist and Police State Agenda in Pop Music).
After “popping her pills”, Natalia
becomes a little rowdy, prompting the cops to raid the place and
savagely beat her up. She is then taken outside, where her sacrifice
will take place.
In the beginning of the video, Natalia
was shown dressed in red (the color of sacrifice) and followed by women
dressed in black (death and morning). Her ritual sacrifice was planned
from the start. In mind -ontrol terms, the process caused Natalia to
dissociate, go to Wonderland and “lose her head”. The
transformation, which occurred on the checkerboard patterned floor,
caused Natalia to lose control of her mind and of her actions. Through
the trauma of oppression, drugs and physical abuse, Natalia has
dissociated and gone to Wonderland, the only refuge to her trauma.
As the axe goes down, the screen rips
and the word “Wonderland” appears in red, associating the head chopping
with the true meaning of the word “Wonderland” in this song. The video
ends with an inspiring image, meant to uplift a generation of young
minds:
In Conclusion
As pop star veterans lose their edge and their “magic”, newcomers sweep onto the scene to enchant pop fans all over again. Record labels and the Illuminati record industry as a whole are aware of the nature of the business, which is fueled by young people constantly seeking the next cheap thrill and the hottest trend. In a matter of months, fans can go from “OMG she’s the best I’ll luv her forevz” to “Yawn, lame”. So, in case people ever get tired of Lady Gaga, her record label is already grooming the next generation to serve up the Illuminati symbolism.As the public becomes increasingly desensitized to the Agenda, videos keep marching towards more graphic and uncensored portrayals of mind control, which is arguably the most sadistic and evil practice in the world. Natalia’s videos can be read as a diary of a Monarch victim, where she describes a world dominated by oppression, torture, violence, sexual abuse and drugs. The horrific world of Monarch slaves is exposed as Natalia is abused and degraded by unseen forces, but the whole thing is presented as cool and fashionable.
Natalia does not currently enjoy the level of exposure of Rihanna or Lady Gaga. She however has everything it takes to become an industry favorite – a perfect candidate to lead a nation of Zombies to Wonderland.
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