Celebrities Under Mind Control

truther   by Jamie Hanshaw

Release the Stars!

If you believe that slavery is a thing of the past, you are still a slave. The continuity of the practice of slavery on planet earth is staggering. The idea of owning another person is as old as civilization itself, going all the way back to ancient Sumer. Predating all other forms of coerced labor, not only is it ancient, but it is oh, so contemporary…and fashionable!
When Bob Marley sings about slavery, he calls it the Babylon System and hits the nail on the head. The Bible calls Nimrod, the King of Babylon “a great hunter before the Lord.” According to archeology and biblical context, the word “hunter” translates to plunderer or conqueror. Nimrod was immortalized not for his skill in hunting beasts, but in the success of his slave trading and the hunting of men to establish his imperial kingdom of tyranny. Nimrod hunted men and brought them into bondage to Babylon and forced them to build him a great tower to piss off Yahweh. The foundation of Babylonian society was the slave population; the necessary component of all mass economic activity. The sources of their slave supply were endless. Military conquests furnished many; others had fallen from the position of free laborers; still others were purchased from abroad, or were children of native slaves. Nimrod’s Babylon is associated with slavery, military and economic power, seduction, and worship of the state.

If you want to see the Babylon system at work today, look no further than Hollywood. Every year the Academy Awards are held in the heart of downtown Hollywood at the Kodak Center. Adjacent to the theater is the Hollywood and Highland Center called the Babylon Courtyard. Its décor is taken straight from a 1916 movie about ancient Babylon called Intolerance. Four story columns topped with standing elephants surround an archway depicting two curious characters. The figure on the left holding the basin of water is Enki, one of the Annunaki brothers who were gods of the ancient Sumerians that came to earth to genetically engineer a slave race. Enki is also known as Ea and is usually distinguished from other gods by two streams of water erupting from his body, or from a pot held in his hands. The figure on the right is the Assyrian god, Nisroch. Both of these gods were usually depicted holding a pinecone like object, believed to be an ancient depiction of the pineal gland, however, in the Hollywood version the glands are strangely absent.

The most famous of slaves were the Jews of Babylon, so it is ironic that their own empire of Hollywood is founded on slavery. During Hollywood’s golden age of the 1920’s and 1930’s, major studios spent a considerable amount of money to help locate, establish, and groom their legendary celebrities. The studio did as much as possible, even dictating social activities and personal relationships to ensure proper exposure of their best stars. The process of becoming a star invaded every aspect of a person’s life. These actors essentially became the property of the studio once they signed a contract. Remember, the foundation of black magic is the pact or contract. Actors and actresses operated on strict contracts and this situation kept the power in the studio’s hands. An actor’s contract also entitled the studio to assign them to any role it chose, as well as loan out its stars to other production companies. Because of this, stars very often found themselves playing roles they weren’t too crazy about. Actors of the studio really had no power or control over their own careers; their futures were at the mercy of the studio that signed them. With strategic planning and decision making that took place at the highest levels of studio management, they built unknowns into household names.
Babylon’s legacy of blood sacrifice, human trafficking and slavery has been handed down through the generations. It exists today through a practice of slaves creating slaves called trauma-based mind control victims. Survivor of generational Satanic ritual abuse, Jay Parker, recalls a story his mother once told him about the Statue of Liberty. She told Jay that it was, in fact, Semiramis, wife of Nimrod. She said that their tradition of ritual abuse to create slaves was the religion with no name, “the old religion” from the time of Babylon.

Today, if an artist wants to “make it” or have their art shared with the rest of the world, there are many gatekeepers and processes of dark initiation that they must pass through. Many times artists, through their work, spell out exactly what they must go through in the name of fame. In her thirteen minute music video, Marry the Night, Lady Gaga explains, in an artistic way, the trauma she is made to endure to become a super star. In the beginning, Gaga delivers a monologue that defines the plight of a mind control victim. While lying on a stretcher that is pushed by two nurses, she describes the way she perceives reality and only by escaping into her own world is she able to go on:

“When I look back on my life, it’s not that I don’t want to see things exactly as they happen, it’s just that I prefer to remember them in an artistic way. And truthfully, the lie of it all is much more honest, because I invented it. Clinical psychology arguably tells us that trauma is the ultimate killer. Memories are not recycled like atoms and particles in quantum physics. They can be lost forever. It’s sort of like my past is an unfinished painting and, as the artist of that painting, I must fill in all the ugly holes and make it beautiful again. It’s not that I’ve been dishonest, it’s just that I loathe reality.”

The creepy nurse that attends to Gaga after her trauma session says, “I remember when I delivered you.” A clue about how slaves are conditioned from birth from inside their circle of friends and family. When the camera pans out, it shows that Gaga is not alone. She is in a ward filled with victims who are going through the same conditioning. In the video, the transformation from the real Stefani to her alter, Lady Gaga, is symbolized by the dying of her hair blonde. Ritual abuse survivor and Mother of Darkness, Arizona Wilder, explains that the dark occultists prefer their ritual goddesses blonde. In the context of the video, the expression “marry the night” takes on a metaphysical meaning. Marriage is a binding religious ritual. To marry the night means that Gaga is bonded to the elite occult slave masters and embraces her own “dark side”.

The Britney Chronicles

Britney Spears’ career is a perfect case study of trauma-based mind control in the entertainment industry. From Lolita/kitten themes to group sex to Mars and clone labs, practically every aspect of MK ULTRA programming can be witnessed in her career. When her music videos are watched in chronological order, they tell a horrific story of never ending enslavement.
Britney has been a performer since her childhood days of Disney’s Mouseketeers and won many pageants and talent competitions in the vein of Toddlers and Tiaras. Her 1998 first hit single, Hit Me Baby One More Time, is an obvious reference to physical abuse and identification with her handler and she appears in a uniform similar to a catholic schoolgirl.
The Babylonian Mystery Religion eventually became the Roman Catholic Church and factions of the church are at the root of the mind control network. Survivor Cathy O’Brien’s formal induction as a presidential model mind controlled slave began with her first Holy Communion where she was given the “Rite to Remain Silent.” She received a Rosy Cross necklace which would lead her through the rest of her mind controlled existence. Her abuser told her he worked for the Vatican and now, so did she. The Rite to Remain Silent is anchored in the “Vow of Silence” performed by the Jesuit monks. At the end of the music video Britney awakens from her disassociation to find that the entire scenario was all in her imagination. This becomes a common theme in many of her videos.

In the 1999 video, You Drive Me Crazy, Britney co-stars with Nickelodeon star, Melissa Joan Hart otherwise known as Sabrina the Teenage Witch. The setting is a factory for mass producing slaves. Common lyrics of her songs include the mind control themes of being lonely, losing her mind, losing her senses or going crazy. That same year she released Born to Make You Happy – a reference to the generational programming that usually begins before birth. The video opens with Britney dreaming/disassociating on a bed made of two cubes. She’s wearing a shirt covered in Monarch butterflies. In the world of dark occultism, the double cube, or hypercube represents an inescapable prison and the butterflies represent the genetic memories pass through the bloodline. Britney is related to Laura Bush, after all.
In 2000, Britney’s masters released the video, Oops I Did it Again, in which Britney is shown laying on a bed made of two eight-pointed stars that represent Inanna/Ishtar, the goddess of Babylon. Sacred Prostitution and hermaphroditic bodies and feminine men were particularly involved in the worship and ritual practices of Inanna’s temples. Inanna, Sumer’s “Queen of Heaven”, unlike any other deity, has the ability to descend into the netherworld and return again to the heavens. Many girls in the industry are led from innocence to the pit of Hell, and “back again” in honor of Inanna. The interlude of the this video is the most bizzare. An astonaugt meets Britney and she removes his helmet and to his surprise there is an atmosphere on Mars! He hands her a chunk of black stone. Britney exclaims, “But I thought the old lady dropped it into the ocean in the end?”– a reference the Heart of the Ocean necklace from Titanic. The astronaut says, “Well baby, I went down and got it for you.” In the Babylonian story of creation, the god Marduk battles the goddess Tiamat, who is the ocean deified. She is often seen to represent a female principle, whereas Marduk stands for the male principle. Marduk is victorious, kills Tiamat, and creates the world from her body.

As mega rituals were unfolding in 2001, Britney Spears blatantly sang I’m A Slave 4 U declaring once and for all who is controlling her. At her VMA performance of the song, she dances with a giant python on her shoulders. Scenes from a black mass of the Church of Satan look strikingly similar. In 2003, Britney became a fully grown woman and an industry veteran when she teamed up with Madonna to sing Me Against the Music, another video that ends with her waking up from disassociation. Her “consecration” into the Babylonian industry was celebrated in a symbolic performance during the 2003 VMAs, alongside fellow Mouseketeer, Christina Aguilera, where the two were wed to “Hollywood” by the Kabbalistic High Priestess, Madonna.
In her very next video, Toxic (2004) she appears as many different characters while playing a spy in some sort of weird espionage scenario. In mind control victims, the Delta alters are programmed to carry out assignments such as assassinations. Lady Gaga continues this assassination theme in her video, Paparazzi, when she poisons her boyfriend to death while dressed in a Mickey Mouse costume.
In the 2004 video, Everytime, Britney is shown drowning in a hotel bathtub. The scenario was chillingly close to the death of Whitney Houston at the Beverly Hilton in 2012. In her bathtub scene, she is wearing a Kabbalah bracelet. According to many mind control survivors, the Tree of Life from the Kabbalah is a structure that programmers use to house different alters. When Britney ‘dies’ in the bathtub, she is born again as a baby in a hospital. Could this possibly be an Aleister Crowley Moonchild reference? Once again, at the end of the video, she wakes up as if it was all a dream.
In 2004 Britney embarked on a world tour called The Onyx Hotel. It was described as a “unique, mysterious hotel powered by an onyx stone, where guests who enter shine their own light into the gemstone and make their fantasies come to life. It’s a vibrant, whimsical place where wondrous dreams are realized, and the darkest of secrets are revealed.” The tour was marketed to a different demographic than her previous tours, changing from families and children to a more adult audience and the show also heavily targeted the gay market. Britney told MTV that “The onyx stone is kind of symbolic of what guides me in my life, like there’s a bigger picture in everything, and there’s something that guides you where you need to go.” The onyx stone has a deep occult significance. According to Fritz Springmeier’s work, The Illuminati Formula to Create an Undetectable Total Mind Control Slave, black onyx is used by the Mothers of Darkness to capture souls.
The concert begins when the master of ceremonies, a creepy, belligerent, one eyed cross between Fat Bastard and RuPaul, welcomes spectators to the Onyx Hotel. He takes an onyx and throws it into the video screens, causing a virtual chandelier to fall into the floor. Britney’s face appears on the giant screen and says “Once you check in, you can’t check out.” In a pre-recorded video interlude during the concert, Jada Pinkett Smith morphs through from another dimension to lead Britney down a dark alley to reveal a secret doorway to the “Mystic Lounge.” In the next act, there is a video interlude of Spears wearing a ribbon and flowered-themed dress and entering the “Mystic Garden”. In mind control, alters are created called Ribbons, which are the beginning of the Luciferian alter-like demons. Ribbons live in the garden and guard the System’s “Garden of Eden.” They are primarily the message bearers to the different, levels and alters. The ribbons might have angelic names such as Michael or Gabriel.
In 2006, Britney posted a repeated loop of her song “Rebellion” on her website even though it was not a single. In the song, she talks of people close to her using poison and voodoo. Was this the beginning of her realization? In 2007, she released an album called Blackout just as her programming began to deteriorate. This is the same year that Britney had her infamous breakdown. Survivors report that when victims of mind control approach 30 years old, their brain attempts to break the amnesiac barriers and reintegrate itself. First, she dyed her hair dark brown. She then walked into Esther’s Hair Salon and demanded to have her head shaved. The owner told Britney that she would not shave her head and Britney took the shears and did it herself. When Arizona Wilder told David Icke of her escape from the Mothers of Darkness she said that she had dyed her hair brown to be removed as the ritual goddess of the order. When this wasn’t enough to keep her out of the rituals, she then shaved her head. When Britney was asked why she did it, she replied that she was tired of people touching her and she didn’t want them plugging things into her. She had been in and out of “rehab” before the salon incident. After she shaved her head, she checked into Promises clinic in Malibu where she terrified staff by scrawling 666 onto her bald head, screaming she was the Anti-Christ and then attempting to hang herself with a bed sheet. Nickelodeon star, Amanda Bynes, has exhibited some of the same bizarre behavior this year.
Even after all that, she had still not been able to break free, neither was she allowed to take a break. Her handlers stuck her in a blonde weave and a sparkly black bikini and sent her back on stage to lip-synch with auto-tune for her supposed “comeback” on the 2007 VMA’s.
In January 2008, TMZ.com reported: “Sources are now painting a very disturbing picture of Britney Spears, or whoever she happens to be at any given moment. We’re told the whole British accent thing — well, it’s more than an accent. Britney has multiple personalities, including, as people in her life call it, “the British girl.” We’re told when Spears loses the British personality, she has absolutely no idea what she did during the time she assumed that personality. Sources say Brit has a number of other identities, where she becomes “the weepy girl, the diva, the incoherent girl,” and on and on. Sources say Britney had become the British girl the day she didn’t show for her deposition and has no recollection of it.”

Her 2008 video, Break the Ice, is an animation where Britney seems to enact some revenge on her handlers. Her character crashes an Eyes Wide Shut type Illuminati party and fights off the Men in Black. Dan Aykroyd has an interesting story that relates to the time some “Men in Black” monitored his phone call with Britney Spears. As Aykroyd spoke to his Crossroads co-star about appearing on Saturday Night Live with her, he noticed the MIBs observing him, but looked back a second later to realize that they had vanished. Two hours later, the producers of Out There, the program he was taping, were ordered to shut it all down. A coincidence until you realize that the show itself was about to set the stage for UFO disclosure. Aykroyd believed that this program was a key and motivation to socially transform the planet to a more peaceful, loving and tolerant state.
In Break the Ice, Britney finds a clone lab under the mansion where they are keeping hundreds of “Britneys” in liquid tanks. She battles the MIBs and blows up the lab. She then finds her handler, a robotic business man in a dark office and delivers a death kiss to him. That would be the second time she assassinated someone by kissing them. This video represented somewhat of a victory for Britney and ended with “To Be Continued…”
When mind control slaves begin to break their programming, their handlers will stop at nothing to get them back on track. Her victory was short lived as the press declared her insane, a drug addict, an unfit mother, and a “trainwreck”. When a slave has outlived their usefulness or poses a threat, they are assassinated or programmed to self-destruct. This is called being thrown from the Freedom Train. In interviews, Britney can be seen switching between alter personalities. She talks of being completely alone, she tries to reach out to people but they don’t understand what she is telling them. She describes her life as “groundhog day” and tearfully whispers “I’m sad.”
Her 2011 album was named Femme Fatal. Her video Hold It Against Me was directed by today’s go-to director for mind-control/occult imagery, Jonas Akerlund, who also directed Lady Gaga and Beyonce’s video about mass murder, Telephone. In Hold it Against Me, Britney is wearing a white wedding gown that gives away the ritualistic aspect of the video. It seems that she wasn’t all that successful in getting people to stop plugging things into her. In the video, she is shown attached to intravenous lines to further emphasize her mind control. While Britney is levitated, strange eyeless dancers emerge from under her gown. A quick shot of one eye with two pupils is shown for about a half of a second. The short scene is very significant, it represents the existence of multiple personalities within the same person.

Britney’s 2011 video, I Wanna Go, tells the saddest story of all. It begins as Britney gives a press conference where she declares she’s pregnant with Brad Pitt’s quintuplets. During the video she sexually harasses a fan, seduces a baby, flashes a cop in front of a child and gets searched/molested by said cop. She slaughters the paparazzi with a microphone only to find that they are programmed robots like the Terminator. She is “rescued” by a character famous for playing Guerrmo, a merciless drug lord on the HBO show Weeds. This character apparently loves convertibles, dancing girls, and 2% milk. At the end of the video she wakes up from disassociation once again to find that she’s back at the press conference. Guerrmo takes the stand with Britney saying “No more questions” to the press. Britney turns to him and says “I had the strangest dream.” He replies, “I love dreams…and sea shells” He gives Britney a handful of sea shells and leads her away. If you look up sea shells in Fritz Springmeier’s book, it explains that the “the VOW OF SILENCE is a keep quiet program activated by ‘THE WALLS HAVE EARS & THE PLANTS HAVE EYES SO YOUR SILENCE IS TANTAMOUNT TO SUCCESS.’ This is explained to the victim that the sea shells and plants have the ability to hear and that a sensitive occultist (programmer) can psychically pick up what the plants and sea shells hear.” In the end Guerrmo turns away from Britney back to the audience to deliver a maniacal laugh and reveal that he is actually a programmed robotic demon handler. She has come the full circle of innocence, victimization, realization and rebellion, but this video clearly illustrates that she is still ultimately under the control of her handlers.

Russell & Katy

More stars like Britney are struggling to break free, but they desperately need our help. Cory Feldman is outing Hollywood for pedophilia. Roseanne Barr is publicly speaking out about trauma based mind control and has become a political advocate of the legalization of marijuana for victims of post-traumatic stress disorder. Recently, British actor and comedian, Russell Brand, has had David Icke and Laura Eisenhower on his talk show. Key people with a large outreach are waking up and allowing truth to enter the mainstream media; but they need our support as they try to enlighten their audience and loved ones and sometimes, they pay a terrible price.
In October 2010 Brand married pop star Katy Perry on top of an elephant in Northern India, the same place he had proposed to her just a short time before. The marriage lasted only fourteen months. Is this just another example of Hollywood’s cavalier attitude towards commitment or are there other dark forces at work? In February 2011, Katy embarked on the largest tour of her career. The tour was described as “Alice in Wonderland” and “Wizard of Oz,” two of the most classic Monarch programming motifs. The year proved to be a tremendous success in the industry for her, but also showed a devastating personal heartbreak. Katy Perry has been identified as one of the top Illuminati princesses/slaves since her debut in I Kissed a Girl, written and produced by pop mogul, Max Martin. Martin has had his hand in just about every slave hit since the mid 90’s. He has made superstars out of the Backstreet Boys, N’Synch, Ace of Base, and Britney Spears. He revived the careers of Celine Dion and Bon Jovi. He has written for and produced Kelly Clarkson, Pink, Usher, Taylor Swift, Justin Beiber, Ke$ha and many more.
The film Katy Perry: Part of Me documents the story of Perry’s career as gospel singer, Katheryn Hudson, until the present day as global superstar Katy Perry. Scenes from the movie document her last world tour, the California Dreams Tour. Katy talks about her childhood, where her mother and father are traveling Pentecostal preachers, something she oddly has in common with Aleister Crowley whose parents were members of a strict Christian sect called the Plymouth Brethren. Many times, a strict Christian upbringing can bring about a serous backlash like Katy, Crowley or even Marilyn Manson. When Perry first started recording, she was paired with a team called “The Matrix” to give her a point of entry into the mainstream. They eventually dropped her and she later went on to sign with Capitol Records.
Before fame, Katy sang gospel and Christian rock until one day she somehow made that age-old deal. According to one interview, Katy states: “When I was 15, because I grew up in a household where all I ever did was listen to gospel music…I swear I wanted to be, like, the Amy Grant of music, but it didn’t work out, and so I sold my soul to the devil.” It seems that Katy got the raw end of the deal when the devil turned out to be a literal slave driver. The tour for her album was no joke. It ran a whopping 124 shows in 108 cities in 337 days. The show begins with a video screen introduction which tells the story of a girl named Katy who lives in a colorless world wasting her life cutting meat for a mean old butcher. One night, Perry escapes her dreadful reality by falling asleep

and visits a vibrant candy land in search for her pet cat, Kitty Purry and also for the love of her life, the Baker’s Boy. Kitten programming is classic trauma-based mind control and the most widely used program. This programming is specifically for eliminating the learned moral convictions that Katy grew up with. It stimulates the primitive instincts devoid of inhibitions. This program is for developing the “ultimate prostitute.” In the first number, Katy appears on stage and starts performing Teenage Dream, while wearing a white dress with hypnotic spinning peppermints. In one interlude, Perry is shown taking a shortcut that leads her into a candy forest where she meets two naughty mimes who join her to perform a song called Ur So Gay. At the end of the performance, Perry takes a bite of their magical brownie. In the next section, a video interlude reveals that the mimes’ brownie has transformed Perry into a catwoman, a plan executed by the evil butcher all along. A song called Circle the Drain is performed while Perry battles her dancers who are dressed as butchers before going into her song about love with inter-dimensional reptilian beings, E.T. The show continues with Who Am I Living For in which she is strapped up by her dancers with elastic strings and is left on the ground defeated. The encore begins with the final interlude of the show, which reveals that Perry has been dreaming/disassociating all along, suddenly the Baker’s Boy enters her room dressed in a gingerbread costume to deliver cupcakes she has ordered for breakfast.
During her marriage to Russell, most of which she spent on her California Dreams tour, the mandate from Katy was to tour for two weeks and then take three or four days off to spend with Russell. Her handlers sabotaged this at every chance. To see Russell, Katy would fly across the world, to New York, L.A., New Orleans…wherever Russell was, just to spend time with him. In the documentary, she runs herself ragged trying to get to where he is. She was committed to him and she describes him as the love of her life. Around day 214 of her tour, Katy looks exhausted as she asks to see a calendar so she can look for her “relationship days,” days she had planned to spend with Russell. Her handlers tell her that she should be resting on her days off, not trying to see her husband. During her stop in Sao Paulo, Brazil, Katy is shown weeping backstage. Her handlers attempt to cheer her up by giving her a gift from her “trinkets box” which upsets her even more, it was a necklace given to her by Russell that she thought she had lost. She is still crying heavily until the moment her platform raises her to the stage. When the peppermints start to spin, she puts on her bravest smile for the crowd.

In December, 2011, Russell filed for divorce in Los Angeles citing irreconcilable differences. The pair met when he was filming Get Him to the Greek, and she did a cameo with him. Katy recalls being so happy to be working with Russell that she was hopping like a bunny. Kevin Smith appeared on Russell Brand’s show and told the story from his point of view. One day Russell showed up at Smith’s house to work on a project but he could not concentrate because he had just met the most amazing woman. Kevin was so touched he had to give Russell the day off to go and be with her. There is no doubt that Russell and Katy were very much in love, so what went wrong? Given Russell Brand’s recent taste in guests it is safe to say that he has at least some sense of reality and a quest for the truth. Is this why Katy’s handlers tried so hard to keep them apart? Was Russell feeding her information that the powers didn’t want her to be aware of because they needed her to help program the masses? According to interviews Katy Perry was having a profound positive effect on Russell as well—something the controlling occultists could not tolerate. Katy told Esquire Magazine that she had reformed the former sex addict, who according to rumors used to sleep with up to 80 women a month. “He was a heroin addict and now he’s not. He was addicted to all kinds of things and now he’s not. And he basically used to be a professional prostitute and now he’s not,” she said. Brand also seemed to be perfectly comfortable with monogamy. “I am living in a different way at the moment. Regardless of what happens in my current situation,” he said. “I am unlikely to be satisfied with the calamitous promiscuity of the preceding five or six years.” He went on to say that monogamy is not the only change he’s made since getting sober, he was living a much healthier life overall. “I’m living in a disciplined way, do lots of yoga, exercise and transcendental meditation.”
After the divorce, in interviews of Katy, the mere mention of Russell puts her in tears instantly. Her fairy tale had been destroyed. Her 2012 hit, Wide Awake, (another Max Martin song) conceals many references to Monarch programming within its symbolism. It is a story of her thinking she has “woken up” and escaped, but in the end we find the story conveys that this is never possible.

At the beginning of the video, we see Katy completing the filming of her single California Gurls, which is based on the board game, Candyland. This candy theme is no doubt part of Katy’s personal Monarch programming and Candyland appears in a list of internal structures found in recovering mind controlled slave, Cisco Wheeler. In the beginning of Wide Awake, Katy is fully into her “pop star” persona. When she enters her dressing room, she removes her wig, which symbolically represents her switching to another alter. Katy then stares at herself in the mirror for a while until she begins to dissociate from reality and enter a fantasy world. This is the inner-world of her psyche and it is a dark labyrinth. She knows that she won’t make it through the maze without the one who has been stripped from her during the programming–her core persona. Through lights emerging from her breasts, she makes a call for help and her core appears before her in the form of a young Katy. It is the “real her” before her values and convictions were taken away. The little girl is the personality she had before being subjected to programming. Katy and her core then enter a room designed in classic Monarch trigger decor and her dress is made of butterflies. Through the mirror, she sees the evil paparazzi. Katy breaks the mirror in front of her and leaves the room, a symbolic act representing her attempting to break out of her programming. Then next scene is a ghoulish contrast to the rest of the video. She is now in a cold, sterile mental institution similar to the institution we see in Gaga’s Marry the Night. We appear to be out of Katy’s head and back to reality. She is completely “shut down” sitting in a wheel chair. Is this her MK programming site? While Katy is immobilized, little Katheryn, is “Wide Awake” and is determined to get them out of there.
Upon escaping the institution, Katy and her core persona find themselves back in the fantasy land. A cat with hypnotic eyes is a reminder that she is still one of their “kittens” and under the control of her handlers. The butterflies on Katy’s head also symbolize this. Katy then “defeats” her fairy tale prince charming by delivering a powerful punch. Was this supposed to be Russell? At this point, little Katheryn gets on her bike and leaves. The core, authentic persona of Katy says goodbye and leaves in her place only a butterfly. The butterfly leads from the dressing room to a stage, before a performance of the song Teenage Dreams. Katy has also gone full circle and is back at the beginning, in her pop star persona, who she really is now. The real Katy has disappeared and she is merely a puppet of the music industry and a mind controlled slave. Wide Awake represents the false rebellion that so many others like Britney Spears went through, but ended up right back in slavery. At this time, Perry is halfway done with her new album called Schizophrenic. In one final twist, it seems the devil has left his mark on Russell Brand’s career as well. According to Aleister Crowley’s system of sorcery, the symbol for Russell’s show, Brand X, is the actual Mark of the Beast!
Like so many other things in life, when it comes to slavery, it takes one to make one. A true free and sovereign person would have no use for slaves. The programming really is like an infinite train, or a virus, where slaves are programmed to be handlers and programmers to create more slaves. The kings and priest craft of Babylon, were themselves, slaves to their gods. The duties of their religion were an indispensable element of their life. Before their idols they came, bowing as dependents and slaves, to make their offerings of flesh and blood. Girded with burdensome restrictions, they believed that the violation of their rituals would entail disaster upon themselves and their city. On the other hand, they claimed to be as gods before their subjects and captives, demanding from them the same type of servitude and reverence.

We are all victims of trauma-based mind control to varying degrees. The rich, powerful and famous are the worst off. Their opulence and degenerative behavior is promoted in the tabloids so that we can worship and envy their lifestyle, never knowing that to obtain those things, they are yoked in absolute physical and spiritual servitude. The trauma that they endure trickles down and is expressed through their art so that everyone can be traumatized vicariously and they call it entertainment.
The creation of dissatisfaction of life in normal people is another form of trauma. Extravagant weddings, awards ceremonies and vacations are splashed around in the headlines to a population that can barely make ends meet. America’s economy is worse than ever, but it is nothing for President Obama and his family to take a trip to Africa that reportedly cost between $60 and $100 million dollars. How do you think a young, struggling single mother feels when she goes through the grocery store checkout and sees that Beyonce and Jay-Z spend $1,000,000 a year to rent nursery space in the basement of the Barclays Sports Center (probably a MK programming site) to have a place for their daughter to play while they watch the games? If you want to live like this, you must sell your soul.
Slavery dominates in Hollywood and many stars are extinguished on the path to global enslavement. Our entertainers and artists need us now more than ever to help them escape their inescapable prison. The more we research and talk about these things, the more we support their liberation and the easier it will be for them to come forward. If you really love your celebrities, share the information and let’s release the stars!