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“The Cabin in the Woods” is a widely successful horror film that also obtained great critical acclaim. While many appreciated the movie for its wit, humor and originality, the movie’s storyline is nevertheless serious and very real: It depicts the elite’s use of occult rituals on the unsuspecting masses. We’ll look at the symbolic meaning of “The Cabin in the Woods”.
Warning: Major spoilers ahead!
Considered to be “groundbreaking” and a “game changer” by movie critics, The Cabin in the Woods contains many elements of classic horror films while adding interesting new elements to the mix. It continually refers to and comments on the horror movie genre, praising some aspects of it while poking fun at the many clichés that are found in the genre. The basic plot has been seen many times as it involves zombies running after teenagers that are so dumb and generic that you almost want them to die. But there is more to the story than hack and slash: It is about elite puppeteers overseeing a massive blood ritual using mind control and high tech monitoring. In the end, The Cabin in the Woods is a metaphor for our heavily controlled society that is under the control of dark, hidden forces. The movie was co-written and directed by Joss Whedon, who also created Dollhouse a TV series that tackled the concept of mind control in a rather obvious way.
At first glance, the characters of the movie are heavily clichéd, to the point that it is absurd. We have the typical jock, the typical slutty girl, the typical stoner, the boring smart guy and the timid prude virgin. These teenagers are purposely generic to comment on the boringness of characters in bad horror movies, but, as the story unfolds, we also discover that they were selected and manipulated by an organization to fully embody specific archetypes in order to complete a ritual.
As the movie progresses, many key aspects of the occult elite and its
way of functioning are described in vivid detail: Mediatised
mega-rituals, occult secret societies, mind control, high-tech
monitoring and so forth. At the end of the movie, one might realize that
these scared and confused teenagers running around and falling into
traps are…us, aka the masses. Let’s look at the elements found in the
movie and their analyze their full significance.
The organization’s sole purpose is to set up high-profile
mega-rituals involving the deaths of civilians across the world in order
to appease dark forces beneath the Earth. These rituals are made
possible through the manipulation of certain individuals into doing
certain things, causing them to unknowing become participants in an
occult ritual. This concept has been discussed several times on this
site as mega-rituals involving symbolic elements and blood sacrifices do
happen in real life, where everything is staged and set up to obtain
maximum exposure and magickal potency.
Although this is a very obscure and taboo subject, some occult researchers have determined that many mediatised events are actually mega-ritual carried out to fulfill specific occult objectives. Whether we go as far as Jack the Ripper or as recently as the Batman killings, some murders are actually set up to follow specific rules and to imprint society with specific symbols.
This elite organization, as powerful as it is, only obeys the will of
dark forces called “The Ancients” and “the gods”. The “technicians”
overseeing the ritual are actually members of an occult brotherhood and
their job is to make sure rituals are complete.
So the U.S. branch of this shady Organization manipulates five
all-American students to go spend a weekend in a remote cabin in the
woods. The cabin is set up in an environment that is totally artificial
and controlled by the puppet masters. In fact, the cabin and its
surrounding is one big TV recording studio, complete with mics and
cameras, mind altering drugs to control the actors and remote controlled
doors and light effects.
Right from the start of the movie, the character named Jules Louden
plays the role of a sex-bomb that appears to be aroused by anything.
During her (short) stay at the cabin, she constantly feels the urge to
talk about sex or to dance like a stripper. We however learn that Jules
is not being herself: She was drugged and manipulated to become the
proverbial whore. Upon closer look, an astute viewer might realize that
Jules Louden bares many characteristics of a Sex Kitten mind control
slave.
So Jules is not usually a whore – she was manipulated and drugged
into becoming one, the same way the elite uses mind control to make
regular girls become Sex Kittens (think of the many slutty “celebrities”
that started off “normal”). In the cabin, Jules displaying typical
behavior of a MK slave, victim of Beta programming.
The puppet masters make it clear that Jules needs to be sacrificed
first – because she is a whore and therefore corrupted. This needs to
happen in a very specific matter in order to follow dark occult
principles. The technicians want her to be killed during coitus and,
more specifically, when she is nearing climax. Sex Magick principles
stipulate that individuals accumulate the most “life force” during the
moments right before climax. Sacrificing a person right at that moment
would therefore insure the most magickal potency to a ritual.
After a few minutes of frolicking, which gets the teenagers (and the
viewers) excited, Jules gets viciously attacked by a zombie right when
she nears climax. The odd combination of sex and death is characteristic
of the dark rituals and is also featured be in underground snuff films
circulated in elite circles. In short, Jules’ death was planned
according the occult elite’s way of functioning.
As discussed in my articles on the movies Contagion and 2012,
“conspiracy theorists” (or anyone with non-mainstream views) are always
depicted as loons with little to no credibility. Marty in The Cabin in the Woods
accomplishes the same function. While he says things that are believed
by many people, we still almost hear a “coo-coo” sound effect in the
background while he discusses microchips and such.
The fool however turns out to be right about a lot things and tries to convince his friends about the conspiracy they are involved in. As it is often the case, nobody believes him until it is too late, because, after all, he is the fool. We’ll later see how he’ll turn out to be an unlikely hero (while also destroying the world).
For the ritual to be complete, Dana needed outlive all of her friends
and her death was optional. The important thing is that she suffered as
the puppet masters need capture pain and punishment on camera, a fetish
of the real life dark forces behind the Illuminati. In fact, the ritual
in The Cabin in the Woods follows a specific protocol that is similar to the actual rituals carried out by the occult elite. Here are some of them.
As seen in previous articles on this site, mega-rituals are often
preceded by “clues” in mass media warning or preparing the victims (and
the world) for what’s coming. If after being warned, victims go on by
their own free will, then the puppeteers are liberated from karmic
responsibility. During the movie, one technicians says:
Although the above concepts are extremely obscure, they are clearly
defined and communicated in the movie. They are a reflection of the
occult elite’s (aka the Illuminati’s) particular way of functioning,
where nothing is obvious and everything is manipulated behind the scenes
in order to obtain a specific result. Ancient blood sacrifices were
accomplished out in the open with participants that knew what was
happening (not that I’m idealizing those days) but today, it is about
deceit and manipulation, with an emphasis placed on suffering and
anguish, something that only those dealing in black arts would revel on.
Upon discovering exactly what was happening, Marty (the stoner) says:
Dana and Marty then light up a joint and wait for the gods to rise. Dana says:
So, in the end, the only winner of the movie is a “giant evil god”
rising up straight from hell, one that could be equated to Satan in
Abrahamic religions. Dana and Marty, the “heroes” of the story,
therefore willingly allowed the evil god to rise up and to take over the
Earth. The “heroes” brought about the worst ending possible, one of the
movie’s original twists that kept the audiences guessing. It
nevertheless has an important symbolic meaning and tells a lot about
those who are behind the movie. In retrospect, were the puppeteers the
good guys or the bad guys? They were sadistic jerks carrying out an
occult ritual but they were also trying to save the world from the wrath
evil gods. Hmmm…
That being said, can we equate the clueless teens in the movie to the clueless masses? Can we equate the cabin in the woods to today’s highly monitored and controlled society? Are our perceptions being purposely modified through mind control, mass media and meds to make us fall into traps? Are we being purposely dumbed-down like these kids in order for us to do the elite’s bidding by our own free will? Is the movie The Cabin in the Woods an equivalent to the Harbringer in the movie, who communicates a grave warning to people that are too clueless to understand any of it? As Marty the stoner says: “You are not seeing what you don’t want to see”.
By VC | October 9th, 2012 | Category: Movies and TV | 27 comments
“The Cabin in the Woods” is a widely successful horror film that also obtained great critical acclaim. While many appreciated the movie for its wit, humor and originality, the movie’s storyline is nevertheless serious and very real: It depicts the elite’s use of occult rituals on the unsuspecting masses. We’ll look at the symbolic meaning of “The Cabin in the Woods”.
Warning: Major spoilers ahead!
Considered to be “groundbreaking” and a “game changer” by movie critics, The Cabin in the Woods contains many elements of classic horror films while adding interesting new elements to the mix. It continually refers to and comments on the horror movie genre, praising some aspects of it while poking fun at the many clichés that are found in the genre. The basic plot has been seen many times as it involves zombies running after teenagers that are so dumb and generic that you almost want them to die. But there is more to the story than hack and slash: It is about elite puppeteers overseeing a massive blood ritual using mind control and high tech monitoring. In the end, The Cabin in the Woods is a metaphor for our heavily controlled society that is under the control of dark, hidden forces. The movie was co-written and directed by Joss Whedon, who also created Dollhouse a TV series that tackled the concept of mind control in a rather obvious way.
At first glance, the characters of the movie are heavily clichéd, to the point that it is absurd. We have the typical jock, the typical slutty girl, the typical stoner, the boring smart guy and the timid prude virgin. These teenagers are purposely generic to comment on the boringness of characters in bad horror movies, but, as the story unfolds, we also discover that they were selected and manipulated by an organization to fully embody specific archetypes in order to complete a ritual.
As the movie progresses, many key aspects of the occult elite and its
way of functioning are described in vivid detail: Mediatised
mega-rituals, occult secret societies, mind control, high-tech
monitoring and so forth. At the end of the movie, one might realize that
these scared and confused teenagers running around and falling into
traps are…us, aka the masses. Let’s look at the elements found in the
movie and their analyze their full significance.
The organization’s sole purpose is to set up high-profile
mega-rituals involving the deaths of civilians across the world in order
to appease dark forces beneath the Earth. These rituals are made
possible through the manipulation of certain individuals into doing
certain things, causing them to unknowing become participants in an
occult ritual. This concept has been discussed several times on this
site as mega-rituals involving symbolic elements and blood sacrifices do
happen in real life, where everything is staged and set up to obtain
maximum exposure and magickal potency.
Although this is a very obscure and taboo subject, some occult researchers have determined that many mediatised events are actually mega-ritual carried out to fulfill specific occult objectives. Whether we go as far as Jack the Ripper or as recently as the Batman killings, some murders are actually set up to follow specific rules and to imprint society with specific symbols.
This elite organization, as powerful as it is, only obeys the will of
dark forces called “The Ancients” and “the gods”. The “technicians”
overseeing the ritual are actually members of an occult brotherhood and
their job is to make sure rituals are complete.
So the U.S. branch of this shady Organization manipulates five
all-American students to go spend a weekend in a remote cabin in the
woods. The cabin is set up in an environment that is totally artificial
and controlled by the puppet masters. In fact, the cabin and its
surrounding is one big TV recording studio, complete with mics and
cameras, mind altering drugs to control the actors and remote controlled
doors and light effects.
Right from the start of the movie, the character named Jules Louden
plays the role of a sex-bomb that appears to be aroused by anything.
During her (short) stay at the cabin, she constantly feels the urge to
talk about sex or to dance like a stripper. We however learn that Jules
is not being herself: She was drugged and manipulated to become the
proverbial whore. Upon closer look, an astute viewer might realize that
Jules Louden bares many characteristics of a Sex Kitten mind control
slave.
So Jules is not usually a whore – she was manipulated and drugged
into becoming one, the same way the elite uses mind control to make
regular girls become Sex Kittens (think of the many slutty “celebrities”
that started off “normal”). In the cabin, Jules displaying typical
behavior of a MK slave, victim of Beta programming.
The puppet masters make it clear that Jules needs to be sacrificed
first – because she is a whore and therefore corrupted. This needs to
happen in a very specific matter in order to follow dark occult
principles. The technicians want her to be killed during coitus and,
more specifically, when she is nearing climax. Sex Magick principles
stipulate that individuals accumulate the most “life force” during the
moments right before climax. Sacrificing a person right at that moment
would therefore insure the most magickal potency to a ritual.
After a few minutes of frolicking, which gets the teenagers (and the
viewers) excited, Jules gets viciously attacked by a zombie right when
she nears climax. The odd combination of sex and death is characteristic
of the dark rituals and is also featured be in underground snuff films
circulated in elite circles. In short, Jules’ death was planned
according the occult elite’s way of functioning.
As discussed in my articles on the movies Contagion and 2012,
“conspiracy theorists” (or anyone with non-mainstream views) are always
depicted as loons with little to no credibility. Marty in The Cabin in the Woods
accomplishes the same function. While he says things that are believed
by many people, we still almost hear a “coo-coo” sound effect in the
background while he discusses microchips and such.
The fool however turns out to be right about a lot things and tries to convince his friends about the conspiracy they are involved in. As it is often the case, nobody believes him until it is too late, because, after all, he is the fool. We’ll later see how he’ll turn out to be an unlikely hero (while also destroying the world).
For the ritual to be complete, Dana needed outlive all of her friends
and her death was optional. The important thing is that she suffered as
the puppet masters need capture pain and punishment on camera, a fetish
of the real life dark forces behind the Illuminati. In fact, the ritual
in The Cabin in the Woods follows a specific protocol that is similar to the actual rituals carried out by the occult elite. Here are some of them.
As seen in previous articles on this site, mega-rituals are often
preceded by “clues” in mass media warning or preparing the victims (and
the world) for what’s coming. If after being warned, victims go on by
their own free will, then the puppeteers are liberated from karmic
responsibility. During the movie, one technicians says:
Although the above concepts are extremely obscure, they are clearly
defined and communicated in the movie. They are a reflection of the
occult elite’s (aka the Illuminati’s) particular way of functioning,
where nothing is obvious and everything is manipulated behind the scenes
in order to obtain a specific result. Ancient blood sacrifices were
accomplished out in the open with participants that knew what was
happening (not that I’m idealizing those days) but today, it is about
deceit and manipulation, with an emphasis placed on suffering and
anguish, something that only those dealing in black arts would revel on.
Upon discovering exactly what was happening, Marty (the stoner) says:
Dana and Marty then light up a joint and wait for the gods to rise. Dana says:
So, in the end, the only winner of the movie is a “giant evil god”
rising up straight from hell, one that could be equated to Satan in
Abrahamic religions. Dana and Marty, the “heroes” of the story,
therefore willingly allowed the evil god to rise up and to take over the
Earth. The “heroes” brought about the worst ending possible, one of the
movie’s original twists that kept the audiences guessing. It
nevertheless has an important symbolic meaning and tells a lot about
those who are behind the movie. In retrospect, were the puppeteers the
good guys or the bad guys? They were sadistic jerks carrying out an
occult ritual but they were also trying to save the world from the wrath
evil gods. Hmmm…
That being said, can we equate the clueless teens in the movie to the clueless masses? Can we equate the cabin in the woods to today’s highly monitored and controlled society? Are our perceptions being purposely modified through mind control, mass media and meds to make us fall into traps? Are we being purposely dumbed-down like these kids in order for us to do the elite’s bidding by our own free will? Is the movie The Cabin in the Woods an equivalent to the Harbringer in the movie, who communicates a grave warning to people that are too clueless to understand any of it? As Marty the stoner says: “You are not seeing what you don’t want to see”. http://vigilantcitizen.com/moviesandtv/the-cabin-in-the-woods-a-movie-celebrating-the-elites-ritual-sacrifices/
“The Cabin in the Woods”: A Movie Celebrating the Elite’s Ritual Sacrifices
By VC | October 9th, 2012 | Category: Movies and TV | 27 comments“The Cabin in the Woods” is a widely successful horror film that also obtained great critical acclaim. While many appreciated the movie for its wit, humor and originality, the movie’s storyline is nevertheless serious and very real: It depicts the elite’s use of occult rituals on the unsuspecting masses. We’ll look at the symbolic meaning of “The Cabin in the Woods”.
Warning: Major spoilers ahead!
Considered to be “groundbreaking” and a “game changer” by movie critics, The Cabin in the Woods contains many elements of classic horror films while adding interesting new elements to the mix. It continually refers to and comments on the horror movie genre, praising some aspects of it while poking fun at the many clichés that are found in the genre. The basic plot has been seen many times as it involves zombies running after teenagers that are so dumb and generic that you almost want them to die. But there is more to the story than hack and slash: It is about elite puppeteers overseeing a massive blood ritual using mind control and high tech monitoring. In the end, The Cabin in the Woods is a metaphor for our heavily controlled society that is under the control of dark, hidden forces. The movie was co-written and directed by Joss Whedon, who also created Dollhouse a TV series that tackled the concept of mind control in a rather obvious way.
At first glance, the characters of the movie are heavily clichéd, to the point that it is absurd. We have the typical jock, the typical slutty girl, the typical stoner, the boring smart guy and the timid prude virgin. These teenagers are purposely generic to comment on the boringness of characters in bad horror movies, but, as the story unfolds, we also discover that they were selected and manipulated by an organization to fully embody specific archetypes in order to complete a ritual.
The
heroes (or the victims) of the movie are somewhat uni-dimensional. We
soon learn that they were manipulated to become that way.
The Nameless Organization
At the beginning of the movie, we see five friends hoping into van and driving to a cabin in the woods (hence the title of the movie) where fun, alcohol and teenage frolicking awaits. The pals however don’t know that this weekend of apparent partying is, in fact, a big ritual sacrifice conducted by a high-level, international organization.
Never
named in the movie, the organization behind the blood sacrifice
utilizes high-tech facilities across the world and appears to have a
great amount of resources and employees. Can we associate this
organization with the occult elite, the NWO and its secret facilities?
Yes, yes we can.
Simply
looking at the command center, we understand that is not a small,
clandestine operation, but a highly sophisticated organization dealing
with military tracking equipment that is only available at the highest
governmental levels.
Although this is a very obscure and taboo subject, some occult researchers have determined that many mediatised events are actually mega-ritual carried out to fulfill specific occult objectives. Whether we go as far as Jack the Ripper or as recently as the Batman killings, some murders are actually set up to follow specific rules and to imprint society with specific symbols.
“Of course, many serial murders are nothing more than the work of a single individual acting out a graphic horror movie he saw, or responding to powerful “psychotic” impulses for aggression and predation. But many other serial murders involve a cult protected by the U.S. government and the corporate media, with strong ties to the police. These murders are actually intricately choreographed rituals; performed first on a very intimate and secret scale, among the initiates themselves in order to program them, them on a grand scale, amplified incalculably by the electronic media. In the end what we have is a highly symbolic, ritual working broadcast to millions of people, a Satanic inversion; a Black mass, where the “pews” are filled by the entire nation and through which humanity is paganized, brutalized and debased in this, the “Nigredo” phase of the alchemical process.Although the above quote was written more than 20 years ago, it perfectly describes the plot of The Cabin in the Woods which, in turn, describes mega-rituals in a direct but very caricatural matter. By doing so, the movie reveals the elite’s way of functioning while fictionalize it – it puts everything out in the open while making people believe that “it’s just a movie”. While there is a lot of satire and foolishness in the movie, it underlying concept is truer than most would believe.
The French adept Antonin Artaud, architect of the theory of the “Theater of Cruelty” with its transformative power, and the inspiration for the extreme sex-and-death media of our time, had this to say about the processing of the Group Mind: ‘Aside from trifling witchcraft of country sorcerers, there are tricks of global hoodoo in which all alerted consciousnesses participate periodically… That is how strange forces are aroused and transported to the astral vault, to that dark dome which is composed above all of… the poisonous aggressiveness of the evil minds of most people… the formidable tentacular oppression of a kind of civic magic which will soon appear undisguised.’
The issue of controlling humanity with esoteric words and symbols encoded within a play, a media spectacular or a ritual is one of the most difficult for people to comprehend. That is why most people are viewed with utter contempt as “cowans,” “the profane,” the “gentiles” and the “goyim” (cattle) by secret society initiates. “I think we are farmed,” Charles Fort said of humanity. It was Fort who also suggested that man deliberately invented the dogma of materialism in order to shield himself from the evidence of what was being done to him by means of psycho- spiritual warfare methods hyped by “coincidence,” symbolism and ritual.”
- Michael A. Hoffman, Secret Societies and Psychological Warfare
The
shady organization carries out rituals across the world, some of which
succeed and others fail. Most are made to appear as “accidents” and
those that succeed are widely publicized across the world.
After
the death of the first victim, we see one of the technicians reciting a
dark prayer and then kissing a pendant bearing the secret society’s
magical symbol. Like in real life, some operations that appear to be
about science and pragmatism are actually motivated by very obscure and
occult reasons.
As
the teenagers drive towards to the cabin’s location, we realize that
they are entering a “virtual” zone that is totally created by and
controlled by the organization. Inside of it, the teenagers become
puppets at the hand of high-tech puppet masters.
The Sacrificial Lambs
Once arrived at the cabin, the teenagers are made to embody specific archetypes in order to complete the ritual drama required by the gods. It therefore needs to be carried out in a specific matter and it needs to completely recorded and televised. The “gods” require the death of five specific archetypes in the ritual drama: The whore, the athlete, the fool, the scholar and the virgin.The Whore
In
the brotherhood’s temple are displayed stone tablets representing each
archetype that needs to be slain. This one represents the whore.
The
first scene involving Jules emphasizes the fact that she dyed her hair
blond. In Mind Control symbolism, blond hair is used to identify Sex
Kittens – Marylin Monroe programming. We then learn that the “puppet
masters” laced her hair dye with chemicals to reduce cognition and to
augment her libido.
“BETA is referred to as “sexual” programming (slaves). This programming eliminates all learned moral convictions and stimulates the primitive instinct, devoid of inhibitions. “Cat” alters may come out at this level.”The most obvious example of Sex Kitten behavior occurs when Jules is “dared” to make-out with a wolf head mounted on the cabin wall. She engages in a disturbingly long make-out session with the wolf head, as her friends awkwardly watch. The scene ends with Jules saying “thank you” to the wolf, confirming that the drugs she was given completely eliminated her inhibitions.
- Ron Patton, Project Monarch
Jules
is getting a lot of pleasure making out with this wolf head because she
was programmed to accomplish such tasks. Bestiality is only one of the
twisted things actual Beta Kittens are ordered to do by their handlers.
The
technicians closely monitor Jules copulating with the jock, hoping that
she will take her shirt off. Explaining the ritual to an “outsider” who
doesn’t understand why she MUST undress herself, a technician says:
“We’re not the only ones watching…Got to keep the customer satisfied.
You understand what’s at stake here?” In other words, the ritual needs
to be graphic and fully broadcasted to be considered a success,
something we see in real life without even realizing it.
The Fool
Like in most horror movies involving teens, there is some kind of stoner in the pack providing comic relief. Always smoking a joint, the character named Marty Mikalski plays that role. Interestingly enough, the “fool” is also quite the conspiracy theorist.
Inside
the van, Marty explains how society is being heavily monitored through
cameras and “chips inside children’s heads”. He states that one must
sometimes “go off the grid” to escape the madness. Of course, he says
all of these things while rolling a joint, subtlety telling the viewers:
“Only paranoid pot heads are against microchips and state monitoring”.
To make things worse, Marty then shows a finished joint to Jules and
tells her “I’ll make you see things my way”, meaning that being “aware”
equals being on drugs.
The fool however turns out to be right about a lot things and tries to convince his friends about the conspiracy they are involved in. As it is often the case, nobody believes him until it is too late, because, after all, he is the fool. We’ll later see how he’ll turn out to be an unlikely hero (while also destroying the world).
The Virgin
In most cultures that practiced ritual sacrifices, virgins were considered to be the “highest quality” offerings due to the fact that they were considered pure, clean, uncorrupted and innocent. They were untainted by man and the world and were therefore perceived as holy and the most spiritually potent. The character named Dana Polk was made to play that role in the ritual drama, although she isn’t actually a virgin (there’s apparently not many teenage virgins available nowadays)
Although she appears to be the weakest and the most vulnerable of the victims, the virgin ended up being an unlikely hero.
Rules of the Ritual
Most mega-rituals follow specific rules that are clearly spelled out in the movie. These rules are made to give the rituals more potency while allowing the powers that be to avoid the negative effects of bad karma (according to their weird interpretation of it).1st Rule: Announcing What Will Happen Beforehand.
On
their way to the cabin, the teenagers meet an unsavory character dubbed
“The Harbinger” that warns them in not-so-subtle ways that they will be
killed. Despite the warnings, the friends resolutely carry on.
“They have to make the choice of their own free will. Otherwise, the system doesn’t work. Its like The Harbinger…this creepy old fuck who is practically wearing a sign saying ‘You Will Die’. Why do we put him there? The System. They have to choose to ignore him. They have to choose what happens in the cellar. Yeah, we rig the system as much as we need to but, in the end, if they don’t transgress, they can’t be punished.”This concept is often seen in real life where victims of ritual sacrifice place themselves in a specific situation, although they have been thoroughly manipulated to do so (see MK victims dying from an “overdose”).
In
one of the cabin’s rooms is a painting depicting a lamb being torn to
pieces by all kinds of vicious creatures. This is yet another way the
victims are subtly “warned” of what is bound to happen. However, since
the kids have no idea of what’s happening, they simply ignore it. This
can be compared the elite hiding in plain sight warnings and predictions
about the NWO in public places (see the murals at the Denver
International Airport).
2nd Rule: The Victims Must Seal Their Own Fate
Although every aspect of their environment is tightly controlled and manipulated by the puppet masters, the victims are still made to choose their fate by their own free will.
By
reading cryptic Latin phrases inside a book, the 5 friends summoned
themselves the redneck zombies that will tirelessly want to kill them.
By triggering the killers themselves, the puppeteers are freed from
karmic responsibility.
“A ritual sacrifice? Great. You tie someone to a stone, get a fancy dagger and a bunch of robes. It’s not that complicated.”To which the virgin replies:
“Tt IS simple. They don’t just want to see us killed. They want to see us punished”.
Who Wins in the End?
The ending of the movie is very telling, yet very unsettling. In order for the ritual to be complete, Marty must die before the virgin. If this doesn’t happen, the “ancient evil gods” will rise and kill everyone on Earth. When asked to kill himself to save the world, Marty refuses – knowing very well he’ll be killed anyways by the evil gods.Dana and Marty then light up a joint and wait for the gods to rise. Dana says:
“It’s time to give someone else a chance…Giant evil gods”.Then a giant hand rises up from beneath the Earth, kills everyone and then reaches out to grab the movie viewers. And that’s how the movie ends…with an evil god grabbing the viewer.
The big winner of the movie? An Evil god aka Satan himself.
In Conclusion
The Cabin in the Woods is a hit with movie fans due to its wit and its study of the horror film genre. However, going past these obvious remarks, the story of the movie conceals another layer of interpretation: It reveals the Illuminati’s occult way of functioning in order to maintain power and to imprint the group mind with symbols using rituals and sacrifices. The “organization” in the movie uses an odd mixture of scientific knowledge with “old world” occult rituals to carry out its plans. While this story is pure fiction, it also reveals (in a strange way) how the occult elite truly functions.That being said, can we equate the clueless teens in the movie to the clueless masses? Can we equate the cabin in the woods to today’s highly monitored and controlled society? Are our perceptions being purposely modified through mind control, mass media and meds to make us fall into traps? Are we being purposely dumbed-down like these kids in order for us to do the elite’s bidding by our own free will? Is the movie The Cabin in the Woods an equivalent to the Harbringer in the movie, who communicates a grave warning to people that are too clueless to understand any of it? As Marty the stoner says: “You are not seeing what you don’t want to see”.
By VC | October 9th, 2012 | Category: Movies and TV | 27 comments
“The Cabin in the Woods” is a widely successful horror film that also obtained great critical acclaim. While many appreciated the movie for its wit, humor and originality, the movie’s storyline is nevertheless serious and very real: It depicts the elite’s use of occult rituals on the unsuspecting masses. We’ll look at the symbolic meaning of “The Cabin in the Woods”.
Warning: Major spoilers ahead!
Considered to be “groundbreaking” and a “game changer” by movie critics, The Cabin in the Woods contains many elements of classic horror films while adding interesting new elements to the mix. It continually refers to and comments on the horror movie genre, praising some aspects of it while poking fun at the many clichés that are found in the genre. The basic plot has been seen many times as it involves zombies running after teenagers that are so dumb and generic that you almost want them to die. But there is more to the story than hack and slash: It is about elite puppeteers overseeing a massive blood ritual using mind control and high tech monitoring. In the end, The Cabin in the Woods is a metaphor for our heavily controlled society that is under the control of dark, hidden forces. The movie was co-written and directed by Joss Whedon, who also created Dollhouse a TV series that tackled the concept of mind control in a rather obvious way.
At first glance, the characters of the movie are heavily clichéd, to the point that it is absurd. We have the typical jock, the typical slutty girl, the typical stoner, the boring smart guy and the timid prude virgin. These teenagers are purposely generic to comment on the boringness of characters in bad horror movies, but, as the story unfolds, we also discover that they were selected and manipulated by an organization to fully embody specific archetypes in order to complete a ritual.
The
heroes (or the victims) of the movie are somewhat uni-dimensional. We
soon learn that they were manipulated to become that way.
The Nameless Organization
At the beginning of the movie, we see five friends hoping into van and driving to a cabin in the woods (hence the title of the movie) where fun, alcohol and teenage frolicking awaits. The pals however don’t know that this weekend of apparent partying is, in fact, a big ritual sacrifice conducted by a high-level, international organization.
Never
named in the movie, the organization behind the blood sacrifice
utilizes high-tech facilities across the world and appears to have a
great amount of resources and employees. Can we associate this
organization with the occult elite, the NWO and its secret facilities?
Yes, yes we can.
Simply
looking at the command center, we understand that is not a small,
clandestine operation, but a highly sophisticated organization dealing
with military tracking equipment that is only available at the highest
governmental levels.
Although this is a very obscure and taboo subject, some occult researchers have determined that many mediatised events are actually mega-ritual carried out to fulfill specific occult objectives. Whether we go as far as Jack the Ripper or as recently as the Batman killings, some murders are actually set up to follow specific rules and to imprint society with specific symbols.
“Of course, many serial murders are nothing more than the work of a single individual acting out a graphic horror movie he saw, or responding to powerful “psychotic” impulses for aggression and predation. But many other serial murders involve a cult protected by the U.S. government and the corporate media, with strong ties to the police. These murders are actually intricately choreographed rituals; performed first on a very intimate and secret scale, among the initiates themselves in order to program them, them on a grand scale, amplified incalculably by the electronic media. In the end what we have is a highly symbolic, ritual working broadcast to millions of people, a Satanic inversion; a Black mass, where the “pews” are filled by the entire nation and through which humanity is paganized, brutalized and debased in this, the “Nigredo” phase of the alchemical process.Although the above quote was written more than 20 years ago, it perfectly describes the plot of The Cabin in the Woods which, in turn, describes mega-rituals in a direct but very caricatural matter. By doing so, the movie reveals the elite’s way of functioning while fictionalize it – it puts everything out in the open while making people believe that “it’s just a movie”. While there is a lot of satire and foolishness in the movie, it underlying concept is truer than most would believe.
The French adept Antonin Artaud, architect of the theory of the “Theater of Cruelty” with its transformative power, and the inspiration for the extreme sex-and-death media of our time, had this to say about the processing of the Group Mind: ‘Aside from trifling witchcraft of country sorcerers, there are tricks of global hoodoo in which all alerted consciousnesses participate periodically… That is how strange forces are aroused and transported to the astral vault, to that dark dome which is composed above all of… the poisonous aggressiveness of the evil minds of most people… the formidable tentacular oppression of a kind of civic magic which will soon appear undisguised.’
The issue of controlling humanity with esoteric words and symbols encoded within a play, a media spectacular or a ritual is one of the most difficult for people to comprehend. That is why most people are viewed with utter contempt as “cowans,” “the profane,” the “gentiles” and the “goyim” (cattle) by secret society initiates. “I think we are farmed,” Charles Fort said of humanity. It was Fort who also suggested that man deliberately invented the dogma of materialism in order to shield himself from the evidence of what was being done to him by means of psycho- spiritual warfare methods hyped by “coincidence,” symbolism and ritual.”
- Michael A. Hoffman, Secret Societies and Psychological Warfare
The
shady organization carries out rituals across the world, some of which
succeed and others fail. Most are made to appear as “accidents” and
those that succeed are widely publicized across the world.
After
the death of the first victim, we see one of the technicians reciting a
dark prayer and then kissing a pendant bearing the secret society’s
magical symbol. Like in real life, some operations that appear to be
about science and pragmatism are actually motivated by very obscure and
occult reasons.
As
the teenagers drive towards to the cabin’s location, we realize that
they are entering a “virtual” zone that is totally created by and
controlled by the organization. Inside of it, the teenagers become
puppets at the hand of high-tech puppet masters.
The Sacrificial Lambs
Once arrived at the cabin, the teenagers are made to embody specific archetypes in order to complete the ritual drama required by the gods. It therefore needs to be carried out in a specific matter and it needs to completely recorded and televised. The “gods” require the death of five specific archetypes in the ritual drama: The whore, the athlete, the fool, the scholar and the virgin.The Whore
In
the brotherhood’s temple are displayed stone tablets representing each
archetype that needs to be slain. This one represents the whore.
The
first scene involving Jules emphasizes the fact that she dyed her hair
blond. In Mind Control symbolism, blond hair is used to identify Sex
Kittens – Marylin Monroe programming. We then learn that the “puppet
masters” laced her hair dye with chemicals to reduce cognition and to
augment her libido.
“BETA is referred to as “sexual” programming (slaves). This programming eliminates all learned moral convictions and stimulates the primitive instinct, devoid of inhibitions. “Cat” alters may come out at this level.”The most obvious example of Sex Kitten behavior occurs when Jules is “dared” to make-out with a wolf head mounted on the cabin wall. She engages in a disturbingly long make-out session with the wolf head, as her friends awkwardly watch. The scene ends with Jules saying “thank you” to the wolf, confirming that the drugs she was given completely eliminated her inhibitions.
- Ron Patton, Project Monarch
Jules
is getting a lot of pleasure making out with this wolf head because she
was programmed to accomplish such tasks. Bestiality is only one of the
twisted things actual Beta Kittens are ordered to do by their handlers.
The
technicians closely monitor Jules copulating with the jock, hoping that
she will take her shirt off. Explaining the ritual to an “outsider” who
doesn’t understand why she MUST undress herself, a technician says:
“We’re not the only ones watching…Got to keep the customer satisfied.
You understand what’s at stake here?” In other words, the ritual needs
to be graphic and fully broadcasted to be considered a success,
something we see in real life without even realizing it.
The Fool
Like in most horror movies involving teens, there is some kind of stoner in the pack providing comic relief. Always smoking a joint, the character named Marty Mikalski plays that role. Interestingly enough, the “fool” is also quite the conspiracy theorist.
Inside
the van, Marty explains how society is being heavily monitored through
cameras and “chips inside children’s heads”. He states that one must
sometimes “go off the grid” to escape the madness. Of course, he says
all of these things while rolling a joint, subtlety telling the viewers:
“Only paranoid pot heads are against microchips and state monitoring”.
To make things worse, Marty then shows a finished joint to Jules and
tells her “I’ll make you see things my way”, meaning that being “aware”
equals being on drugs.
The fool however turns out to be right about a lot things and tries to convince his friends about the conspiracy they are involved in. As it is often the case, nobody believes him until it is too late, because, after all, he is the fool. We’ll later see how he’ll turn out to be an unlikely hero (while also destroying the world).
The Virgin
In most cultures that practiced ritual sacrifices, virgins were considered to be the “highest quality” offerings due to the fact that they were considered pure, clean, uncorrupted and innocent. They were untainted by man and the world and were therefore perceived as holy and the most spiritually potent. The character named Dana Polk was made to play that role in the ritual drama, although she isn’t actually a virgin (there’s apparently not many teenage virgins available nowadays)
Although she appears to be the weakest and the most vulnerable of the victims, the virgin ended up being an unlikely hero.
Rules of the Ritual
Most mega-rituals follow specific rules that are clearly spelled out in the movie. These rules are made to give the rituals more potency while allowing the powers that be to avoid the negative effects of bad karma (according to their weird interpretation of it).1st Rule: Announcing What Will Happen Beforehand.
On
their way to the cabin, the teenagers meet an unsavory character dubbed
“The Harbinger” that warns them in not-so-subtle ways that they will be
killed. Despite the warnings, the friends resolutely carry on.
“They have to make the choice of their own free will. Otherwise, the system doesn’t work. Its like The Harbinger…this creepy old fuck who is practically wearing a sign saying ‘You Will Die’. Why do we put him there? The System. They have to choose to ignore him. They have to choose what happens in the cellar. Yeah, we rig the system as much as we need to but, in the end, if they don’t transgress, they can’t be punished.”This concept is often seen in real life where victims of ritual sacrifice place themselves in a specific situation, although they have been thoroughly manipulated to do so (see MK victims dying from an “overdose”).
In
one of the cabin’s rooms is a painting depicting a lamb being torn to
pieces by all kinds of vicious creatures. This is yet another way the
victims are subtly “warned” of what is bound to happen. However, since
the kids have no idea of what’s happening, they simply ignore it. This
can be compared the elite hiding in plain sight warnings and predictions
about the NWO in public places (see the murals at the Denver
International Airport).
2nd Rule: The Victims Must Seal Their Own Fate
Although every aspect of their environment is tightly controlled and manipulated by the puppet masters, the victims are still made to choose their fate by their own free will.
By
reading cryptic Latin phrases inside a book, the 5 friends summoned
themselves the redneck zombies that will tirelessly want to kill them.
By triggering the killers themselves, the puppeteers are freed from
karmic responsibility.
“A ritual sacrifice? Great. You tie someone to a stone, get a fancy dagger and a bunch of robes. It’s not that complicated.”To which the virgin replies:
“Tt IS simple. They don’t just want to see us killed. They want to see us punished”.
Who Wins in the End?
The ending of the movie is very telling, yet very unsettling. In order for the ritual to be complete, Marty must die before the virgin. If this doesn’t happen, the “ancient evil gods” will rise and kill everyone on Earth. When asked to kill himself to save the world, Marty refuses – knowing very well he’ll be killed anyways by the evil gods.Dana and Marty then light up a joint and wait for the gods to rise. Dana says:
“It’s time to give someone else a chance…Giant evil gods”.Then a giant hand rises up from beneath the Earth, kills everyone and then reaches out to grab the movie viewers. And that’s how the movie ends…with an evil god grabbing the viewer.
The big winner of the movie? An Evil god aka Satan himself.
In Conclusion
The Cabin in the Woods is a hit with movie fans due to its wit and its study of the horror film genre. However, going past these obvious remarks, the story of the movie conceals another layer of interpretation: It reveals the Illuminati’s occult way of functioning in order to maintain power and to imprint the group mind with symbols using rituals and sacrifices. The “organization” in the movie uses an odd mixture of scientific knowledge with “old world” occult rituals to carry out its plans. While this story is pure fiction, it also reveals (in a strange way) how the occult elite truly functions.That being said, can we equate the clueless teens in the movie to the clueless masses? Can we equate the cabin in the woods to today’s highly monitored and controlled society? Are our perceptions being purposely modified through mind control, mass media and meds to make us fall into traps? Are we being purposely dumbed-down like these kids in order for us to do the elite’s bidding by our own free will? Is the movie The Cabin in the Woods an equivalent to the Harbringer in the movie, who communicates a grave warning to people that are too clueless to understand any of it? As Marty the stoner says: “You are not seeing what you don’t want to see”. http://vigilantcitizen.com/moviesandtv/the-cabin-in-the-woods-a-movie-celebrating-the-elites-ritual-sacrifices/
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